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Happily for all concerned, Spectrasonics care about such things and, being based in Southern California (birthplace of the Rhodes), were well-placed to draw upon a wealth of local expertise when it came to locating and restoring vintage models. Consequently, some sampled versions display imperfections that would be unacceptable to an experienced Rhodes player. This is understandable given the instrument’s wide dynamic and sonic range, but there’s a more serious underlying issue: vintage electro-mechanical keyboards need regular servicing, and the expertise to reach inside the piano and correct clunky, buzzy, over-quiet, thin-sounding or out-of-tune notes is something they don’t teach on music tech courses. Keyboardists who have played the real thing (such as myself) often say that sampled emulations don’t quite nail the Fender Rhodes sound. As well as making Omnisphere’s numerous effects and sound-design features available for Keyscape instruments, this facilitates creative layering of patches from the two libraries.
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It’s important to note that while 32-bit hosts aren’t supported for Keyscape, its full panoply of sounds and patches can be loaded into Omnisphere 2, which will operate in a 32-bit host. Keyscape is formatted exclusively for Spectrasonics’ STEAM sound engine, which runs as a plug-in on Mac and Windows systems in all the major DAWs and 64-bit plug-in hosts that support VST/AU/AAX platforms.
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The Lite version is not sold separately, and since many patches reference multiple parts of the library, you can’t install your own personal selection of instruments.
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If you wish, you can run the full version in your studio DAW and use the Lite install on a laptop at gigs. You can install either the full 77GB collection or an optional 30GB ‘Lite’ menu of essential instruments designed for live performance. Lossless audio compression reduces the large sample database (over 200GB in size) to a more manageable 77GB on your hard drive. There are no organs or analogue synths in this collection, nor are there any licks or phrases: the focus is squarely on multisampled electro-mechanical and acoustic instruments, augmented by a handful of digital ’80s classics such as the ubiquitous and unashamedly synthetic ‘FM Rhodes’ sound. An intriguing selection of hitherto-unsampled historical rarities is also included, along with a leading make of 20th-century concert grand piano. Spectrasonics’ Keyscape comprises no fewer than 36 keyboard models, ranging from iconic, sought-after ’70s instruments to contemporary retro-styled keyboards. It also explains the motivation behind the company’s latest offering, which looks set to create a new standard for vintage keyboard collections.
This hands-on studio experience, coupled with a lifelong love affair with keyboards, helps account for Spectrasonics’ instruments being so playable and practical. While technical innovation and sonic exploration have been a company hallmark from the start, Persing’s background as a session player and producer adds an important dimension to the story.
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Having successfully navigated the format upheavals of the hardware sampler era, Spectrasonics scored with their acclaimed Stylus, Trilogy and Atmosphere virtual instruments before hitting the jackpot with Trilian and the multi-award-winning Omnisphere synth, voted SOS readers’ Best Software Instrument in 2014, 20. Based in Burbank, California, the company has been outputting state-of-the-art products since 1994, when co-founder Eric Persing released the ground-breaking Bass Legends library (chunks of which live on under the hood of certain keyboard workstations).
There’s something reassuringly solid about Spectrasonics. Spectrasonics’ major keyboard collection combines classic vintage instruments with a gallery of unique rarities.
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